tilTiltanymTiltanym2411-60762709-135XИнститут языкознания имени А.Байтурсынулы КН МОН РК10.55491/2411-6076-2022-3-3-13til-11Research ArticleСтатьиИНТОНАЦИОННО-СИНТАКСИЧЕСКАЯ СТЕРЕОТИПИЯ ПОЭТИЧЕСКИХ ТЕКСТАХ ЖЫРАУ XV-XVIIІ ВЕКАINTONATION-SYNTACTIC STEREOTYPE OF ZHYRAU POETRY OF THE XV-XVIII CENTURIEShttps://orcid.org/0000-0003-4278-7457АманбаеваА. Ж.AmanbayevaA. Zh.

Алматы

Almaty

AAisaule@mail.ruИнститут языкознания имени А. БайтурсынулыКазахстанA.Baitursynuly Institute of LinguisticsKazakhstan202230092022873313Copyright © Аманбаева А.Ж., 20222022Аманбаева А.Ж.Amanbayeva A.Z.Данная работа распространяется под лицензией Creative Commons Attribution 4.0.This work is licensed under a Creative Commons Attribution 4.0 License.https://www.tiltanym.kz/jour/article/view/11

В статье рассматриваются вопросы выявления интонационно-стереотипных особенностей в поэтических текстах жырау, таких как Асан Кайгы, Казтуган, Доспамбет, Шалкииз, Жиембет, Маргас, Актамберды, Умбетей, Бухар, живших в XV-XVIII веках, которые сформировали устную литературу, жыраускую традицию, приобщили к поэзии и социальной жизни того времени. Также в исследовательской работе взяты за основу особенности устного аудиального ораторского искусства, демонстрация словесных технических средств в поэтическом искусстве жырау и популяризация мастерства в его передаче в традициях жырау. Также анализируются специфические особенности интонации в поэтике псалмов, предлагаются модели интонем. На основе проведенного исследования выделены жанровые особенности поэтики жырау, такие как завет, благословение, посвящение, обращение, похвала, прощание, причитание, проклятие. Основная цель исследования - выяснить, какова роль интонации в расширении познания казахов через поэму. А также сопоставить повторяющиеся моменты (стереотипии) в стихах каждого жырау, определить, для чего они использовались, и провести интонационный анализ, демонстрируя жанровые особенности. В исследовании предполагается выявить функцию интонации в поэзии жырау, выявить интонемы, характерные для поэзии жырау, представить модели интонемы.

In the article, the relevance of the study is to identify intonational and stereotypical features in the poetic texts of such zhyrau as Asan Kayy, Kaztugan, Dospambet, Shalkiyz, Zhiembet, Margas, Aktamberdy, Umbetei, Bukhar, who lived in the XV-XVIII century, formed a model of oral literature, zhyrau traditions, and then showed the life of the country, the social life of the country to the next generation, adding sadness and need to the song. Also, in the research work, the specifics of oral audio oratory art, the manifestation of oral technical means in the poetic art of zhyrau and the mastery of its expression are taken as a basis to glorify the place in the traditions of the distant zhyrau. The specific features of intonation in the poetics of ravines are also analyzed and models of intonations are proposed. Based on the conducted research, genre features of zhyrau poetics are distinguished, such as commandment, blessing, dedication, appeal, praise, farewell, mourning, and curses. The main purpose of the research work is to determine what is the role of intonation in expanding the Kazakh knowledge through zhyr. As well as comparing the repeated points (stereotypes) of each zhyrau in his poems, identifying what he used for them, indicating genre features and conducting an intonational analysis. The study aims to identify the function of intonation in the poetry of zhyrau, identify the intonemes characteristic of zhyrau poetry, and propose models of intonations.

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The authors declare that there are no conflicts of interest present.